Miles Davis - Birth Of The Cool 2001
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Release Information
Record Tracklist
| № | Title | Duration |
|---|---|---|
| 1 | Move | 2:32 |
| 2 | Jeru | 3:10 |
| 3 | Moon Dreams | 3:18 |
| 4 | Venus De Milo | 3:10 |
| 5 | Budo | 2:31 |
| 6 | Deception | 2:46 |
| 7 | Godchild | 3:08 |
| 8 | Boplicity | 2:58 |
| 9 | Rocker | 3:04 |
| 10 | Israel | 2:15 |
| 11 | Rouge | 3:13 |
| 12 | Darn That Dream | 3:24 |
Info
Credits:Alto Saxophone – Lee Konitz
Arranged By – Gerry Mulligan
Arranged By – Gil Evans
Arranged By – John Carisi
Arranged By – John Lewis (2)
Baritone Saxophone – Gerry Mulligan
Bass – Al McKibbon
Bass – Joe Shulman
Bass – Nelson Boyd
Creative Director [Rvg Series] – Gordon H Jee
Design [Rvg Series] – Michael Boland (2)
Drums – Kenny Clarke
Drums – Max Roach
French Horn – Addison Collins
French Horn – Gunther Schuller
French Horn – Sandy Siegelstein
Liner Notes – Pete Welding
Liner Notes [Special Note By] – Gerry Mulligan
Photography By [Cover Photograph] – Aram Avakian
Piano – Al Haig
Piano – John Lewis (2)
Producer [Original Sessions] – Pete Rugolo
Producer [Original Sessions] – Walter Rivers
Reissue Producer – Michael Cuscuna
Remastered By [2000] – Rudy Van Gelder
Trombone – J.J. Johnson
Trombone – Kai Winding
Trumpet – Miles Davis
Tuba – Bill Barber
Vocals – Kenny Hagood
Notes:Issued in a standard jewel case with a 12-page booklet.
[On Rear Insert:]
Printed in the EU
[On Disc Label:]
Made in EU.
Tracks 1, 2, 5, and 7 recorded January 21, 1949 in New York City. Tracks 4, 8, 10, and 11 recorded April 22, 1949 in New York City. Tracks 3, 6, 9, and 12 recorded March 9, 1950 in New York City. All transfers from analog to digital were made at 24-bit resolution.
Capitol Jazz ℗ & © 2001 Capitol Records, Inc.
Notes from [a252960] about the remastering and sound quality as printed in the booklet:
"All previous reissues of this material have been derived from the 1957 12-inch LP master, which turns out to be second or third generation. The original tapes of each tune were filed individually and sound considerably better. Rudy Van Gelder returned to these masters, transferred them in 24-bit to digital and worked his sonic magic. The result is a clearer and more present sound than ever before on these classic recordings. -Michael Cuscuna, 2000."
